The Mermaid and the Minotaur as Symbols of Femininity and Masculinity Carol Shield’s Novels The Republic of Love and Larry’s Party


Creative Commons License

Nıcolaescu C. M.

MULTIDISCIPLINARY PERSPECTIVES IN EDUCATIONAL AND SOCIAL SCIENCES, cilt.3, sa.2, ss.73-83, 2022 (Hakemli Dergi)

Özet

Gender relations in the Carol Shields novels The Republic of Love and Larry’s Party may be investigated critically from the symbolic perspective of mythological attributes that femininity and masculinity manifest in love and marriage. This approach is supported by a psychological insight into personal interactions from such positions of unequal power. The American feminist Dorothy Dinnerstein was the first author who thought of the combination between the difficulty of gender conundrum with the changing possibility, which she called “sexual arrangements and human malaise”. She based her analysis on an allegory of the female and male principles expressed in the symbols of the mermaid and Minotaur. Mermaid, considered in line with the concept of femininity in other feminists such as Juliet Mitchell, Nancy Chodorow, Jane Flax, Jean Baker Miller and Adrienne Rich, is recognized as a valuable representation in contemporary feminist psychology. Nancy Chodorow, Jane Flax, Teresa Brennan, Hester Eisenstein, Marianne Hirsch, Mari Jo Buhle, Adrienne Harris, Louise Taylor and Jessica Benjamin share Dinnerstein’s account of femaleness and women's subjectivity concerning the development by interaction on the strenuous way to adulthood. The Minotaur, symbol of masculinity, is a violent creature, half-man and halfbull, who ate human flesh. One year, the hero Theseus volunteered as a victim, intending to kill the Minotaur and rescue Athens from its terrible fate. With the help of Ariadne, the king’s daughter who had fallen in love with him, he succeeded. (Philip 56)